Panasonic Lumix 25mm 1.7 Lens Review

Shot on the OM-D E-M5 Mark II with the Olympus 17mm f1.8 Unedited

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Shot on the OMD E-M5 Mark II with the Olympus 17mm f1.8 Unedited

I have been using the 17mm (34mm equivalent) Olympus 1.8 with my EM-5II and have been enjoying it. I said this on a few other articles about how versatile the 35mm focal length is but there is something about the 50mm focal length that is special. It is the go to focal length for most people. I would call it the most popular overall focal length of all time. As a street photographer I find myself having a hard time trying to pick between the two. After getting both I would say the 35mm gets more use from me and is what I find to be my preference for street shooting. That being said I would always have my 50mm with me at all times when shooting. I feel when you need a 50mm you really need a 50mm.

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Shot on the OMD E-M5 Mark II with the Panasonic Lumix 25mm f1.8 edited In Lightroom

Build:

The build isn’t the best. You cant expect features like weather sealing and full metal construction here for a lens that costs so little. (It does have a metal mount just in case you were wondering) That being said I have felt much worse which cost much more. The build of this lens isn’t very different from the Olympus 25mm 1.8, but that lens is about $200 more. Having owned that lens I would say the Panasonic Lumix 25mm 1.7 is equal in build quality if not slitty better. It opens up 0.1 more which isn’t huge but counts for something and also comes with a lens hood like the Olympus 25mm.

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Shot on the OMD E-M5 Mark II with the Panasonic Lumix 25mm f1.8 edited In Lightroom

Price:

The Panasonic Lumix 25mm 1.7 is an excellent value for what you get. Honestly just for the price alone I would recommend it. 50mm is a focal length I find is a must. When you need 50mm its difficult to find an alternative for it. That being said you might not be in love with the focal length. Why drop a crap load of cash on something you like but isn’t a must for you? This lens validates a really nice sweet spot when it comes price and function.

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Shot on the OMD E-M5 Mark II with the Panasonic Lumix 25mm f1.8 edited in Lightroom

Image Quality:

The lens is beautiful. Solid sharp images with lots of bokeh if you want it. I find it to be a little softer than my 17mm Olympus when it comes to street photography but there is a lot of movement and timing to account for in street photography. Also the Olympus 17mm is a solid $200 to $300 more. I would expect it to be a little better here and there but it isn’t by much. I would say it comes more down to preference here than anything else when I compare the two focal lengths. That being said I feel the value alone kind of validates this lens.

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Shot on the OMD E-M5 Mark II with the Panasonic Lumix 25mm f1.8 edited In Lightroom

Overall:

If you already have a 50mm and you are happy with it than you are not missing out, but if you don’t than I would have to recommend this lens for your Micro Four Thirds system. Especially if you are a street photographer. I have linked a gallery below of my visit to the Toronto Aquarium which I went to just to test out this lens. There should also be a link to some street photography I did that same day. I hope this article helped, feel free to link this to your friends and read some of my other articles also linked bellow.

Panasonic Lumix 25mm 1.7 Street Photogrpahy Examples

Panasonic Lumix 25mm 1.7 Color Examples

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OM-D E-M5 Mark II Review

Olympus 17mm 1.8 Lens Review

A Lucid Dream I Didn’t Realize Was A Lucid Dream

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I was with 2 or 3 others, either me and another male and 2 females or me another male and 1 female. We were at some location we were not familiar with. I want to say we woke up there but I’m not sure. There was a old kind of creepy looking house behind us. I don’t want to call it creepy but it wasn’t pleasant either. It was right there in the middle. I can’t remember if we woke up in it and came out or if we just woke up in front. Regardless we didn’t go inside it and we woke up facing away from it to a very wide path with tall dark trees that reached high into the sky. I and the others seemed to know each other but I really can’t recall who they were or if they are people I ever knew.

We questioned where we were and what was going on and we realized we had powers. It was one of the girls that noticed it first and was surprised/ scared. Her hand suddenly produced lightning sparks and she was able to shoot them out. The other guy was also able to do something too but I don’t remember what it was. I had some kind of smoke/fire power. Similar to the power the main character of Infamous: Second Son. That whole smokey flame thing. As we stood and tested out our new found powers I noticed that I was really able to push mine more than the others. Blasting my flame smoke far into the sky. I then started to notice that I can change my power altogether.

I started to use a power similar to the lightning girl but at a much more powerful level. To the point I was calling down lightning and thunder from the sky instead of my body. They asked how I can do this and I said I don’t know and continued to test the extent of my powers on the open path in front of us and the sky above. Even now wide awake writing this I can still feel it. The essence of the powers from the dream. I feel like if I stood up and imitated my self I can do the same….no, nvm. Tested it, didn’t work. As I tested the extent of my abilities in the dream it kept getting stronger. I would sway my arms behind me and then throw them in front and gale force winds would blow through the sky and down the path. The tops of the trees would shake and the clouds in the sky flew away with the wind, revealing the large bright moon.

I decided I will bring the clouds back just then. I swirled my hands around me with strong footing on the ground. As I spun and pulled huge black clouds appeared hard, loud and fast swallowing up the view of the moon. It then started to thunder. I can still feel the shocks and force behind those bursts of thunder throughout my body. I called down lightning and rain and wind. The thunder and lightning crashed repeatedly faster and faster in front of me. I kept calling it down harder and faster.

Then I herd the people I was with yelling at me to stop and I did. The rain and storming continued but the lightning and thunder stopped like I flicked a switch. They were scared and worried about what I was doing. I told them I’m in full control of it and to prove it I said see and cleared the skies with a push of my hands. Right about then is when I woke. I still feel it. The rush, the power. I didn’t realize it was a dream at any point. I had full control of the universe but never noticed. I wish I could have tried some more things. Like maybe pick up the house with my mind or fly, stuff like that. All I can say is it was epic, would dream again.

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35mm vs 50mm Photography Comparison

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Shot on the OM-D E-M5 Mark II with the Olympus 17mm f1.8 edited in Lightroom

If you are reading this you are most likely one of a few people, the first being someone looking for their first lens. Another being someone who has either a 35mm or a 50mm and wanted to see what its like to be on the other side. Maybe you are looking for a single prime to take on vacation. Lastly and most likely you might just be one of those gross creepy street photographers like myself. Whoever you might be, I hope I can help you out a little here.

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Shot on the OM-D E-M5 Mark II with the Panasonic Lumix 25mm f1.8 edited in Lightroom

I am a former exclusive member of team 50mm. I still love the focal length and it is still probably my favorite overall focal length. That being said the 35mm focal length is damn good too. I was never really a fan till now where I forced myself to get it and use it. I herd up until this point from other street photographers and other photographers in general about how great the 35mm focal length is. How it’s the perfect all-around focal length and how its great for traveling. If there was anyone lens to do it all it should be the 35mm. I believed it, I just never got the chance. I felt the 50mm was pretty much the same thing but I was able to get more shallow depth of field with the tradeoff of not having as wide a shot. Truly that is what the 50mm is and it is great for that. That is part of why it is considered “Standard”. The 35mm, on the other hand, comes off as much more “normal”. (See what I did there? No? Don’t worry about it.) A better way I would put it is that the 35mm comes off a lot more natural. I feel it covers more ground. Gives you more options including a little bokeh.

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Shot on the OM-D E-M5 Mark II with the Olympus 17mm f1.8 edited in Lightroom

So which is better? Well, I say both. I’m sure thats not what you want to hear so ill go into detail. The 35mm is a swiss army knife, a jack of all trades. It does it all and it does it well. The 50mm, on the other hand, can be a little fancy. It just makes the subject look nice. You cant go as wide sure but on the other hand, you don’t have to go as close to the subject. It’s just at the curve where portrait lenses start so it can double as a portrait lens too. Sure the 35mm can do most of this but you can really make some models uncomfortable with how close you need to get.

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Shot on the OM-D E-M5 Mark II with the Panasonic Lumix 25mm f1.8 edited in Lightroom

Let’s look at it this way. The 35mm is a grey suit and the 50mm is a black suit. This might be going over a lot of heads now since I’m going into fashion territory here but it is openly considered a grey or charcoal suit is much more versatile to wear than a black one. You can mix and match with a grey suit a lot easier than you can with a black one. You can wear a grey (charcoal) suit to a funeral or to a party and not look out of place. All that being said, damn does a black suit just look good. Not as versatile, no. The question is does it need to be? It just looks so good that who cares? So which suit should you buy? For travel get yourself the 35mm grey suit. It will do everything you need it to do and it will do it well. For your first lens? Either one works here. If you plan to take more portraits and such the 50mm black suit. Maybe more into landscapes? Then go with the 35mm grey suit. If you have a 35mm grey suit and you are looking at that 50mm black suit don’t worry you are not missing out. Same goes the other way around. That being said I think all men should have a black suit and a grey suit. To my street photographers. Same deal. You can go either way and be happy but again I think all men should have a black suit and a grey suit.

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OM-D E-M5 Mark II Review

Olympus 17mm 1.8 Lens Review

Olympus 17mm 1.8 Lens Review

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Shot on the OM-D E-M5 Mark II with the 35mm f2.8 Canon FD Lens using High Res Shot UnEdited

I got this lens quite last minute before my trip to Cuba. Actually, I got it about an hour before leaving for the airport. Before this, I had the Olympus 25mm 1.8 lens that I got with my OM-D E-M5 Mark II a few days earlier. I love the 50mm focal length but I just didn’t like the build and the continuous wire focus ring on the 25mm. I also felt it overall lacked in the build for its price. The image quality was great and the autofocus was on point, but I like to have the option for solid manual focus and I want a solid build. So last minute I went and returned the 25mm for the 17mm and I’m very happy about it.

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Shot on the OM-D E-M5 Mark II with the 17mm f1.8 edited in Lightroom

The 35mm (actually 34mm with this lens but close enough) focal length you get with the 17mm Olympus is quite something. I was a bit skeptical before this about it since I’m overall on team 50mm. Since using the 35mm I have to say I find myself playing on both teams now. It gives crips solid shots at about 4.0 and up and you can also get some beautiful bokeh in if you stop it down a bit. You should see some samples here and linked below is my Instagram where you should be able to see more. The focus ring is great too, if you pull back on it, it will lock into place and switch to manual focus. It’s not actually manual focus, its still focus by wire. It just simulates old-school manual focus and it does it extremely well. You won’t have the same speed you would with pulling the focus ring around like you would with say a vintage lens but it’s pretty close and it’s as good as it will ever get for focus by wire.

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Shot on the iPhone 6s Plus

The overall build is perfect. Small, solid metal/quality plastic construction all around. It felt heavier than the larger 25mm I had before, if not denser. I was never worried about breaking it in use and when I would bump it into things it seemed to bump back just as hard. I’ll be honest I hate using neck straps and rarely do but it was simply too hot in Cuba for me to carry my backpack around which means my Peak Design Capture Clip couldn’t be used. If you read/heard my review on the OM-D E-M5 Mark II you would understand I didn’t overall like the grip even though I’m used to it now. So I had to use a strap and let me tell you did my camera and lens take a beating. I would get up from tables and the lens and camera go smashing nose first into the edge of the table. They would both shrug it off like it was nothing. I expect this kind of solidarity coming from the OM-D E-M5 Mark II which was built for it but not the lens. Simply put I was impressed at how well it can take a beating.

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Shot on the OM-D E-M5 Mark II with the 17mm f1.8

In conclusion, I would say it was worth every penny. When I got it I thought I would return it if I didn’t like it. (Same with the OM-D E-M5 Mark II) In the end, I couldn’t let either of them go. The only thing that would make this lens perfect in my eyes as if it had weather sealing. Can’t have it all I guess. If you are looking at this lens I highly recommend it and if you are thinking about this vs his brother the 25mm, I still highly recommend this over that. Now that’s not a 35mm vs 50mm thing that this particular 17mm vs that particular 25mm thing. If you want to see my comparison and thoughts on the 35mm focal length vs the 50mm focal length check the links below. I can’t say more good things about this lens from a general use standpoint and a street photographer standpoint.

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OM-D E-M5 Mark II Review